Rhizome is dedicated to the creation, presentation, preservation, and critique of emerging artistic practices that engage technology. Through open platforms for exchange and collaboration, our website serves to encourage and expand the communities around these practices. Our programs, many of which happen online, include commissions, exhibitions, events, discussion, archives and portfolios. We support artists working at the furthest reaches of technological experimentation as well as those responding to the broader aesthetic and political implications of new tools and media. Our organizational voice draws attention to artists, their work, their perspectives and the complex interrelationships between technology, art and culture
http://rhizome.org
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Bibliographie du cours de Stefan Helmreich "Technology and Culture" au MIT
http://ocw.mit.edu/OcwWeb/Anthropology/21A-340JFall-2006/Readings/index.htm
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Helmreich's research examines the works and lives of contemporary biologists puzzling through the conceptual boundaries of “life” as a category of analysis. He has written extensively on Artificial Life, most notably in "Silicon Second Nature: Culturing Artificial Life in a Digital World" (1998). His latest book, "Alien Ocean: Anthropological Voyages in Microbial Seas" (2009), is a study of marine biologists working in realms usually out of sight and reach: the microscopic world, the deep sea, and oceans outside national sovereignty. Working alongside scientists in labs and at sea, Helmreich charts how revolutions in genomics, bioinformatics, and remote sensing press marine biologists to see the sea as animated by its smallest inhabitants: marine microbes, which are being rendered meaningful as pointers to the origin of life, barometers of climate change, raw materials for biotechnology, and analogues for extraterrestrial life.
http://web.mit.edu/anthropology/faculty_staff/helmreich/publications.html
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