Part.Public.Part.Lab grows out of recent work in three areas: 1) recent research in science and technology studies on public participation and public engagement; 2) studies of open source, open innovation, free software and the explosion of related “user-generated” projects and problems from web 2.0 to wikileaks; and 3) an aliquot of organizational theory as it relates to knowledge production, circulation and governance. The lab exists to foster discussions and research at the intersection of these areas and to explore both the theoretical implications of the changing nature of participation and the empirical cases and concerns of actors involved in trying to make participation occur, or occur differently.
http://recursivepublic.net
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The focus here is on issues related to legal regulation of technology, and especially on legal attempts to restrict the right of technologists and citizens to tinker with technological devices. But we reserve the right to write about anything that strikes our fancy.
http://www.freedom-to-tinker.com
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Yochai Benkler is the Berkman Professor of Entrepreneurial Legal Studies at Harvard, and faculty co-director of the Berkman Center for Internet and Society. Before joining the faculty at Harvard Law School, he was Joseph M. Field '55 Professor of Law at Yale. He writes about the Internet and the emergence of networked economy and society, as well as the organization of infrastructure, such as wireless communications.
http://www.benkler.org
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arts-humanities.net is a hub for research and teaching in the digital arts and humanities. Our aim is to support and advance the use and understanding of digital tools and methods for research and teaching in the arts and humanities by providing:
Information on projects creating and using digital content, tools and methods to answer research questions
Information on tools and methods for creating and using digital resources
A listing of expert centres engaged in research and teaching using digital tools, methods and content
A library documenting lessons learned through case studies, briefing papers, and a bibliography
Arts-humanities.net is a community resource and we invite you to join as a member. Members are encouraged to contribute information about their own projects, tools and research, to publicise events, conferences, and job vacancies, and to take part in and set up discussion forums.
http://www.arts-humanities.net
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Executable code existed centuries before the invention of the computer in magic, Kabbalah, musical composition and experimental poetry. These practices are often neglected as a historical pretext of contemporary software culture and electronic arts. Above all, they link computations to a vast speculative imagination that encompasses art, language, technology, philosophy and religion. These speculations in turn inscribe themselves into the technology. Since even the most simple formalism requires symbols with which it can be expressed, and symbols have cultural connotations, any code is loaded with meaning. This booklet writes a small cultural history of imaginative computation, reconstructing both the obsessive persistence and contradictory mutations of the phantasm that symbols turn physical, and words are made flesh.
http://pzwart.wdka.hro.nl/mdr/research/fcramer/wordsmadeflesh
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Article publié dans la revue Culture Machine
http://www.culturemachine.net/index.php/cm/article/view/245/241
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Rita Raley researches and teaches in the areas of new media (art, literature, theory) and 20-21C literature in an “international” or “global” context. Her book, Tactical Media, a study of new media art in relation to neoliberal globalization. Her most recent articles concern poetic and narratological uses of mobile & locative media.
http://raley.english.ucsb.edu
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